Llapen

Aug 21

“People are uncomfortable with sexuality that is not made for male consumption.” — Erykah Badu (via taintedsound)

(Source: thegentlemanjigger, via magnifiquementtragique)

afrodiaspores:

"Backstage at the Evisu Ball, Manhattan, 2010," by Gerard H. Gaskin. In Legendary: Inside the House Ballroom Scene,

Gerard H. Gaskin’s radiant color and black-and-white photographs take us inside the culture of house balls, underground events where gay and transgender men and women, mostly African American and Latino, come together to see and be seen. At balls, high-spirited late-night pageants, members of particular “houses”—the House of Blahnik, the House of Xtravaganza—”walk,” competing for trophies in categories based on costume, attitude, dance moves, and “realness.” In this exuberant world of artistry and self-fashioning, people often marginalized for being who they are can flaunt and celebrate their most vibrant, spectacular selves.

From the quiet backstage, to the shimmering energies of the runway. to the electricity of the crowd, Gaskin’s photographs take us to the ball. Legendary, comprised of photos taken at events in the New York city area, Philadelphia, Richmond, and Washington, D.C., is a collaboration between Gaskin, a camera-laden outsider who has been attending balls for twenty years, and the house members who let him enter the intimate world of ball culture…

afrodiaspores:

"Backstage at the Evisu Ball, Manhattan, 2010," by Gerard H. Gaskin. In Legendary: Inside the House Ballroom Scene,

Gerard H. Gaskin’s radiant color and black-and-white photographs take us inside the culture of house balls, underground events where gay and transgender men and women, mostly African American and Latino, come together to see and be seen. At balls, high-spirited late-night pageants, members of particular “houses”—the House of Blahnik, the House of Xtravaganza—”walk,” competing for trophies in categories based on costume, attitude, dance moves, and “realness.” In this exuberant world of artistry and self-fashioning, people often marginalized for being who they are can flaunt and celebrate their most vibrant, spectacular selves.

From the quiet backstage, to the shimmering energies of the runway. to the electricity of the crowd, Gaskin’s photographs take us to the ball. Legendary, comprised of photos taken at events in the New York city area, Philadelphia, Richmond, and Washington, D.C., is a collaboration between Gaskin, a camera-laden outsider who has been attending balls for twenty years, and the house members who let him enter the intimate world of ball culture…

minbur:

(via Robert Motherwell | Black Douglas Stone (1970-1971), Available for Sale | Artsy)

minbur:

(via Robert Motherwell | Black Douglas Stone (1970-1971), Available for Sale | Artsy)

tumblropenarts:

Artist Name: Nicholas Nemo Bottman
Tumblr: http://nemobott.tumblr.com/

tumblropenarts:

Artist Name: Nicholas Nemo Bottman

Tumblr: http://nemobott.tumblr.com/

[video]

flavio-leone:

Nneka - Blue Balls Festival 2014

flavio-leone:

Nneka - Blue Balls Festival 2014

(via artblackafrica)

(Source: kjohnlasoul, via postwhitesociety)

Aug 19

madamafrique:

Max Ginsburg’s cover painting for “THE FRIENDS” by Rosa Guy

madamafrique:

Max Ginsburg’s cover painting for “THE FRIENDS” by Rosa Guy

(via punkyfloyd)

videre-licet:

quienesesachica:

ungoliantschilde:

extrospec:

Look at this mother fucker. The Devil Mantis.

Hail Devil Mantis!

Bitch, I’m fabulous!

wow

videre-licet:

quienesesachica:

ungoliantschilde:

extrospec:

Look at this mother fucker. The Devil Mantis.

Hail Devil Mantis!

Bitch, I’m fabulous!

wow

(via punkyfloyd)

Aug 18

I Wasn’t Born to Follow (2014)Xochi Solis

I Wasn’t Born to Follow (2014)
Xochi Solis